Research Article

Representations as means of control from the invention of art to artificial intelligence

Number: Çağdaş sanat özel sayısı December 27, 2024
EN TR

Representations as means of control from the invention of art to artificial intelligence

Abstract

The emergence of art as a distinct category can be described as its separation from worldly scales, defining its scope both materially and conceptually. This shift created art as a representational structure and abstraction. A similar pattern is seen in the rise of financial instruments during the same period, reflecting a transition from crude crafts to fine arts. This parallel extends to communication and marketing fields after World War II. This study traces these representational structures from the 16th century, when the craft-art distinction began, to the present, where digital technologies and artificial intelligence are increasingly dominant. It aims to identify patterns in how these structures integrate into human life. Through this analysis, the study evaluates how contemporary technology surrounds and reshapes life, connecting observations from the cultural invention of art to the financial-bureaucratic mechanisms of the neoliberal, late-capitalist period, and the workings of industrial complexes.

Keywords

References

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Details

Primary Language

Turkish

Subjects

Arts and Cultural Policy , Art Theory

Journal Section

Research Article

Early Pub Date

December 25, 2024

Publication Date

December 27, 2024

Submission Date

July 29, 2024

Acceptance Date

November 18, 2024

Published in Issue

Year 1970 Number: Çağdaş sanat özel sayısı

APA
Gürelli, K. (2024). Sanatın icadından yapay zekâya kontrol mekanizması olarak temsiller. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi, Çağdaş sanat özel sayısı, 27-50. https://doi.org/10.46372/arts.1523731

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