EN
TR
Representations as means of control from the invention of art to artificial intelligence
Abstract
The emergence of art as a distinct category can be described as its separation from worldly scales, defining its scope both materially and conceptually. This shift created art as a representational structure and abstraction. A similar pattern is seen in the rise of financial instruments during the same period, reflecting a transition from crude crafts to fine arts. This parallel extends to communication and marketing fields after World War II. This study traces these representational structures from the 16th century, when the craft-art distinction began, to the present, where digital technologies and artificial intelligence are increasingly dominant. It aims to identify patterns in how these structures integrate into human life. Through this analysis, the study evaluates how contemporary technology surrounds and reshapes life, connecting observations from the cultural invention of art to the financial-bureaucratic mechanisms of the neoliberal, late-capitalist period, and the workings of industrial complexes.
Keywords
References
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Details
Primary Language
Turkish
Subjects
Arts and Cultural Policy , Art Theory
Journal Section
Research Article
Authors
Kutlu Gürelli
*
0000-0002-1103-3057
Türkiye
Early Pub Date
December 25, 2024
Publication Date
December 27, 2024
Submission Date
July 29, 2024
Acceptance Date
November 18, 2024
Published in Issue
Year 1970 Number: Çağdaş sanat özel sayısı
APA
Gürelli, K. (2024). Sanatın icadından yapay zekâya kontrol mekanizması olarak temsiller. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi, Çağdaş sanat özel sayısı, 27-50. https://doi.org/10.46372/arts.1523731
Cited By
Bilgi sonrası türetim çağında kitsch ve sanat
ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi
https://doi.org/10.46372/arts.1744012