Visible and Invisible Borders around Women: Feminist Meaning of War and Migration in Cinema
Abstract
Although women and children are the most affected by the wars and migrations that cause great destruction and suffering, the difficulties they face in this process and how they perceive what is happening is still not well understood. Turkey is one of the countries in which the consequences of the Syrian civil war and migration are the most visible. However, media and art works on the impacts of the Syrian civil war on Turkey and how Turkey perceive the civil war and migration are very limited. This study examines how war and migration, which make the borders between nation-states permeable, change the boundaries of women’s lives, social roles and bodies as well as patriarchal social perspectives against women through the film “Misafir” (Guest - 2017).
Keywords
Kaynakça
- İnceoğlu, İrem. 2015. “Beyaz Perdede Kadın Anlatısı: Mavi Dalga Filminin Feminist İncelemesi.” Fe Dergi: Feminist Eleştiri, 7(2): 87-94.
- Kaplan, E. Ann. 1983. Woman and Film, New York and London:Methuen.
- Kibby, Marjorie and Costello, Brigid. 2004. “Displaying the Phallus: Masculinity and the Performance of Sexuality on the Internet.” In Feminism and Masculinities by Peter F. Murphy, 214-227. Oxford and New York: Oxford University Press.
- Kofman, Eleonore, Phizacklea, Annie, Raghuram, Parvati and Sales, Rosemary. 2000. Gender and International Migration in Europe. London and New York: Routledge.
- Öğüt, Hande (2009). “Kadın Filmleri ve Feminist Karşı Sinema.” Cogito, 58: 202-217.
Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Emrah Özdemir
*
0000-0001-8125-6486
Türkiye
Yayımlanma Tarihi
26 Şubat 2020
Gönderilme Tarihi
17 Ocak 2020
Kabul Tarihi
20 Şubat 2020
Yayımlandığı Sayı
Yıl 2020 Sayı: 3
Cited By
Nadine Labaki Sinemasında Kadın Temsili
Erciyes İletişim Dergisi
https://doi.org/10.17680/erciyesiletisim.709353
