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Evaluating AI art through Kantian aesthetics
Abstract
This theory-philosophical study explores the notion of artistic value in the context of artificial
intelligence (AI)through Immanuel Kant’s concept of “disinterested aesthetic judgment.”It argues
that the aesthetic value of an artwork is independent of its origin, whether human-made or
algorithmically generated. Rather than empirical data, the research relies on a logical critique and
close reading of Kant’s Critique of Judgment in conjunction with AI-generated art. Key Kantian
ideas such as disinterestedness, purposiveness without purpose, and universality without a
concept are reinterpreted to support the view that authorship and intention are irrelevant to
aesthetic judgment. From this perspective, critiques of AI art based on its non-human origin lose
validity. The study concludes that an artwork’s abstract form and its effect on the viewer’s
cognitive faculties are sufficient grounds for aesthetic appreciation, offering a universal and
author-independent model for evaluating artistic merit.
Keywords
References
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- Clewis, R. R. (2023). Genius and the fine arts. In the origins of Kant’s aesthetics (pp. 101–148). Cambridge University Press. https://doi.org/10.1017/9781009209403.006
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- Daniels, P. (2008). Kant on the beautiful: the interest in disinterestedness. Colloquy: text theory critique, (16), 199–210. https://www.monash.edu/__data/assets/pdf_file/0006/1762206/daniels.pdf
- Graben, P. B. (2024). A neural network account to kant's philosophical aesthetics. Mind and matter, 22(2), 227–252. https://doi.org/10.53765/mm2024.227
- Kant, I. (1914). Critique of judgement (J. H. Bernard, Trans.; 2nd ed., rev.). Macmillan and co., limited. (Original work published 1790)
- Kerimov, K. (2019). The time of the beautiful in Kant’s critique of judgment. Epoché: a journal for the history of philosophy, 24(1), 139–157. https://doi.org/10.5840/epoche20191011145
Details
Primary Language
English
Subjects
Media Technologies, Arts and Cultural Policy, Digital and Electronic Media Art
Journal Section
Research Article
Authors
Publication Date
October 22, 2025
Submission Date
June 5, 2025
Acceptance Date
October 8, 2025
Published in Issue
Year 2025 Number: Yapay zekâ ve sanat özel sayısı
APA
Mengi, V. D. (2025). Evaluating AI art through Kantian aesthetics. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi, Yapay zekâ ve sanat özel sayısı, 167-183. https://doi.org/10.46372/arts.1714896
AMA
1.Mengi VD. Evaluating AI art through Kantian aesthetics. ARTS. 2025;(Yapay zekâ ve sanat özel sayısı):167-183. doi:10.46372/arts.1714896
Chicago
Mengi, Volkan Davut. 2025. “Evaluating AI Art through Kantian Aesthetics”. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi, no. Yapay zekâ ve sanat özel sayısı: 167-83. https://doi.org/10.46372/arts.1714896.
EndNote
Mengi VD (October 1, 2025) Evaluating AI art through Kantian aesthetics. ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi Yapay zekâ ve sanat özel sayısı 167–183.
IEEE
[1]V. D. Mengi, “Evaluating AI art through Kantian aesthetics”, ARTS, no. Yapay zekâ ve sanat özel sayısı, pp. 167–183, Oct. 2025, doi: 10.46372/arts.1714896.
ISNAD
Mengi, Volkan Davut. “Evaluating AI Art through Kantian Aesthetics”. ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi. Yapay zekâ ve sanat özel sayısı (October 1, 2025): 167-183. https://doi.org/10.46372/arts.1714896.
JAMA
1.Mengi VD. Evaluating AI art through Kantian aesthetics. ARTS. 2025;:167–183.
MLA
Mengi, Volkan Davut. “Evaluating AI Art through Kantian Aesthetics”. ARTS: Artuklu Sanat Ve Beşeri Bilimler Dergisi, no. Yapay zekâ ve sanat özel sayısı, Oct. 2025, pp. 167-83, doi:10.46372/arts.1714896.
Vancouver
1.Volkan Davut Mengi. Evaluating AI art through Kantian aesthetics. ARTS. 2025 Oct. 1;(Yapay zekâ ve sanat özel sayısı):167-83. doi:10.46372/arts.1714896