EKLEMELİ ÜRETİM SÜREÇLERİNDE KULLANILMAK ÜZERE SÜRDÜRÜLEBİLİR SERAMİK BÜNYE BİLEŞİMLERİNİN TASARIMINA YÖNELİK ARAŞTIRMA
Öz
Bu araştırmada, üç boyutlu baskıda kullanılabilecek seramik filamentler üzerine uygulamaya dayalı bir araştırma yapılması amaçlanmıştır. Bu nedenle, seramik üç boyutlu baskı için mevcut malzeme seçimini genişletmek ve malzeme seçimi ve kullanımının 3D baskılı nesnenin niteliklerini nasıl etkilediğini araştırmak temel amaç olmuştur. Araştırmamız, 3D baskı alanındaki yeni gelişmelere paralel olarak seramik sanatı ve tasarımında ihtiyaç duyulan ve geliştirilme potansiyeli olan konuları ortaya çıkarmak amacıyla gerçekleştirilmiştir. Kendinden sırlı seramik bir bünye karakterine sahip olan Mısır hamuru, elle şekillendirilmesi zor ancak eklemeli imalat ile şekillendirilmesi daha mümkün olabilecek bir karışımdır. Bu nedenle araştırmanın ana fikri delta tipi seramik 3D yazıcıya uygun en iyi Mısır hamuru tarifini bulmak olmuştur. Mısır hamuru ile yapılan denemeler, daha önce seramik baskıda kullanılmamış diğer seramik malzemelerin de olanaklarının araştırılmasını sağlamıştır. Bu nedenle çeşitli kil bileşimleri geliştirilmiştir. Araştırmanın deneysel süreçleri Letonya Sanat Akademisi Seramik Bölümü'nde Delta tipi bir seramik üç boyutlu yazıcısı kullanılarak gerçekleştirilmiş, pişirim işlemleri yapılmıştır. Araştırmamızın sonucu göstermektedir ki; eklemeli üretim diğer geleneksel üretim yöntemlerinden farklı bir üretim felsefesi önermekle birlikte özellikle seramik baskı için yeni fırsatlar sunmakta ve gelecekçi araştırmalara yön vermektedir.
Anahtar Kelimeler
Seramik eklemeli üretim 3 boyutlu baskı sürdürülebilirlik geri dönüştürülmüş kil Mısır pastası
Kaynakça
- Keeps, J. (2019). Potting in a Digital Age, Studio Potter, Vol 47 No 1 Winter/Spring http://www.keep-art.co.uk/Journal/JK_SP47_Potting_in_a_Digital_Age.pdf
- Morris, A. (2017). Dutch designers convert algae into bioplastic for 3D printing. Dezeen, https://www.dezeen.com/2017/12/04/dutch designers-eric-klarenbeek-maartje-dros-convert-algae-biopolymer 3d-printing-good-design-bad-world/
- Nicholson, P. (2009). Faience Technology, UCLA Encyclopedia of Egyptology, 1(1), https://escholarship.org/uc/item/9cs9x41z
- Riccardelli, C. (2017). Egyptian Faience: Technology and Production, In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, http://www.metmuseum.org/toah/hd/egfc/hd_egfc.htm
- Tajeddin, Z. (2014). A Study of Egyptian Faience Forming Techniques, PhD Theses, https://www.semanticscholar.org/paper/Egyptian-faience%3A-ancient-making-methods-and-of-in Tajeddin/13131eeb3fd2c943facc8a5ecb641ead1cdba869
- Winston, A. (2018). Beer Holthuis designs 3D printer that uses recycled paper. Dezeen, https://www.dezeen.com/2018/12/30/beer-holthuis-paper-pulp-printer-design/
- Figure 1. 3D printed bioplastic made from algae, https://www.dezeen.com/2017/12/04/dutch-designers-eric-klarenbeek-maartje-dros-convert-algae-biopolymer-3d-printing-good-design-bad-world/
- Figure 2. 3D printer that uses recycled paper, https://www.dezeen.com/2018/12/30/beer-holthuis-paper-pulp-printer-design/
- Figure 3. Exhibition “Clone” at Riga Porcelain Museum in 2018, https://porcelanamuzejs.riga.lv/en/ gallery/ (under the gallery Exhibition “Clone” )
- Figure 4., 5.,6. Experimental printing processes, photo credit: Inese Križanovska
- Figure 7. Elize Hiiop, 3D printed bone china, works from International Bone China Symposium in Kaunas, Lithuania in 2018, http://www.porcelianosimpoziumas.lt/en/portfolio_page/elize-hiiop-en/
- Figure 8. Lauri Kilusk 3d printed bone china, these works are part of the larger exhibition project "Systemic Chaos", which took place in October 2017, https://www.laurikilusk.ee/naitused
- Figure 9. From personal exhibition of Urmas Puhkan “Nerves”, https://www.icaf-sasama.com/artists-2019-jp/Urmas-PUHKAN-
- Figure 10. Broad Collar of Wah, https://www.metmuseum.org/toah/hd/egfc/hd_egfc.htm
- Figure 11. Priya Thoresen, Midrange Clay, Egyptian paste, https://www.priyathoresen.com/
- Figure 12. Priya Thoresen, Midrange Clay, Egyptian paste, Luster, 2018, https://www.priyathoresen.com/
- Figure 13-35. Experimental composition and printing processes, photo credit: Inese Križanovska
RESEARCH INTO THE DESIGN OF SUSTAINABLE CERAMIC COMPOSITIONS FOR USE IN ADDITIVE MANUFACTURING PROCESSES
Öz
In this research, it is aimed to carry out a practice-based research on ceramic filaments that can be used in 3D printing. Therefore, the main objective was to expand the current selection of materials for ceramic 3D printing and to investigate how material selection and utilisation affect the qualities of the 3D printed object. In parallel with the new developments in the field of 3D printing, our research was carried out to reveal the issues that are needed and have the potential to be developed in ceramic art and design. Egyptian paste, which has the character of a self-glazed ceramic body, is a blend that is difficult to shape by hand, but may be more possible to shape with additive manufacturing. Therefore, the main idea of the research was to find the best Egyptian tile paste recipe suitable for delta-type ceramic 3D printer. Experimenting with Egyptian paste has also led to an interest in other ceramic materials that have not previously been used in ceramic 3D printing. Therefore, various clay compositions were developed. The experimental processes of the research were carried out in the Ceramics Department of the Latvian Academy of Arts using a Delta-type Ceramic 3D printer. Then firing processes were carried out. The result of our research shows that; additive manufacturing proposes a different production philosophy than other traditional production methods, on the other hand, it provides new opportunities especially for ceramic printing and guides future research.
Anahtar Kelimeler
Ceramics additive Manufacturing 3D printing sustainability recycled clay Egyptian paste
Kaynakça
- Keeps, J. (2019). Potting in a Digital Age, Studio Potter, Vol 47 No 1 Winter/Spring http://www.keep-art.co.uk/Journal/JK_SP47_Potting_in_a_Digital_Age.pdf
- Morris, A. (2017). Dutch designers convert algae into bioplastic for 3D printing. Dezeen, https://www.dezeen.com/2017/12/04/dutch designers-eric-klarenbeek-maartje-dros-convert-algae-biopolymer 3d-printing-good-design-bad-world/
- Nicholson, P. (2009). Faience Technology, UCLA Encyclopedia of Egyptology, 1(1), https://escholarship.org/uc/item/9cs9x41z
- Riccardelli, C. (2017). Egyptian Faience: Technology and Production, In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, http://www.metmuseum.org/toah/hd/egfc/hd_egfc.htm
- Tajeddin, Z. (2014). A Study of Egyptian Faience Forming Techniques, PhD Theses, https://www.semanticscholar.org/paper/Egyptian-faience%3A-ancient-making-methods-and-of-in Tajeddin/13131eeb3fd2c943facc8a5ecb641ead1cdba869
- Winston, A. (2018). Beer Holthuis designs 3D printer that uses recycled paper. Dezeen, https://www.dezeen.com/2018/12/30/beer-holthuis-paper-pulp-printer-design/
- Figure 1. 3D printed bioplastic made from algae, https://www.dezeen.com/2017/12/04/dutch-designers-eric-klarenbeek-maartje-dros-convert-algae-biopolymer-3d-printing-good-design-bad-world/
- Figure 2. 3D printer that uses recycled paper, https://www.dezeen.com/2018/12/30/beer-holthuis-paper-pulp-printer-design/
- Figure 3. Exhibition “Clone” at Riga Porcelain Museum in 2018, https://porcelanamuzejs.riga.lv/en/ gallery/ (under the gallery Exhibition “Clone” )
- Figure 4., 5.,6. Experimental printing processes, photo credit: Inese Križanovska
- Figure 7. Elize Hiiop, 3D printed bone china, works from International Bone China Symposium in Kaunas, Lithuania in 2018, http://www.porcelianosimpoziumas.lt/en/portfolio_page/elize-hiiop-en/
- Figure 8. Lauri Kilusk 3d printed bone china, these works are part of the larger exhibition project "Systemic Chaos", which took place in October 2017, https://www.laurikilusk.ee/naitused
- Figure 9. From personal exhibition of Urmas Puhkan “Nerves”, https://www.icaf-sasama.com/artists-2019-jp/Urmas-PUHKAN-
- Figure 10. Broad Collar of Wah, https://www.metmuseum.org/toah/hd/egfc/hd_egfc.htm
- Figure 11. Priya Thoresen, Midrange Clay, Egyptian paste, https://www.priyathoresen.com/
- Figure 12. Priya Thoresen, Midrange Clay, Egyptian paste, Luster, 2018, https://www.priyathoresen.com/
- Figure 13-35. Experimental composition and printing processes, photo credit: Inese Križanovska
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Güzel Sanatlar, Seramik Tasarımı |
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 30 Kasım 2023 |
| Gönderilme Tarihi | 13 Ekim 2023 |
| Kabul Tarihi | 28 Kasım 2023 |
| Yayımlandığı Sayı | Yıl 2023 Cilt: 1 Sayı: 1 |
