Abstract
Stanley Kubrick’in 1980 yapımı The Shining (Cinnet) filmi, bugüne kadar sayısız defa incelenmiş ve analiz edilmeye çalışılmıştır. 40 yıl geçmiş olmasına rağmen, filmin gerçekte neyi anlatmak istediği, Torrance ailesinin başına gelen olayların aslı, hala tam olarak anlaşılmamıştır. Hayal ile gerçek arasında, belirsiz bir alanda süregelen filmin senaryosunu oluştururken Kubrick, Sigmund Freud’un Das Unheimlich (1919) isimli makalesinden yararlandığını belirtmiştir. Türkçe’ye tekinsizlik olarak çevrilmiş the uncanny, aşina olduğumuz insan ve şeylerin içinde yatan rahatsız edici duyguların neden olduğu korku ve endişe olarak nitelendirmektedir. Terimin temelinde bir ikilik yatmaktadır. Bu ikilik, tanıdık bir şeyin yabancılık içermesinden kaynaklanmaktadır, yani, tanıdık olan ile yeni beliren arasında oluşan bir haldir. Bu çalışmanın amacı da Cinnet filmindeki tekinsiz duygulara yol açan öğelerini tespit edip, filmdeki bastırılmış ve çelişkili olan arzuların Overlook Oteli’nin rüya-vari ortamında ne şekilde yüzeye çıkıp, egonun parçalanmasına tehdit oluşturduğunu incelemektir.
Keywords
References
- Ascher, R. (Director). (2012). Room 237 [Documentary]. United States: Film Sales Corp.
- Bettelheim, B. (1976). The uses of enchantment: The meaning and importance of fairy tales. London: Penguin Books.
- Ciment M. (2001). Kubrick: The definitive edition. (Gilbert Adair, Trans.). New York: Faber & Faber Inc.
- Cook. D. (1984). American horror: The Shining. Literature/Film Quarterly, 12 (1), 2-4.
- Creed, B. (1993). The monstrous feminine: film, feminism and psychoanalysis. London: Routledge.
- ____________. (2005). Phallic panic: Film, horror and the primal uncanny. Victoria: Melbourne University Press.
- Flannigan, M. (Director). (2019). Doctor Sleep [Motion Picture]. United Kingdom, Canada, United States: Warner Bros.
- Freud, S. (2001). The standard edition of the complete psychological works of Sigmund Freud: Volume XVII. London: Vintage Classics.
- Hoile, C. (1984). The uncanny and the fairy tale in Kubrick's "The Shining". Literature/Film Quarterly, 12 (1), 5-12.
- Jentsch, E. (2008) On the psychology of the uncanny. In J. Collins and J. Jervis (Eds.), Uncanny modernity: Cultural theories, modern anxieties (pp. 216–228), New York: Palgrave Macmillan.
- Kagan, N. (2000). Cinema of Stanley Kubrick (3rd ed). New York: The Continuum Publishing Group
- Kubrick, S. (Director). (1980). The Shining [Motion Picture]. United States and United Kingdom: The Producer Circle Organization.
- Luckhurst, R. (2008). The uncanny after Freud: The contemporary trauma subject and the fiction of Stephen King. In Collins, J. and Jervis, J. (Eds.), Uncanny modernity: Cultural theories, modern anxieties (p. 128-145), New York: Palgrave Macmillan.
- McAvoy, C. (2015). The uncanny, the gothic and the loner: Intertextuality in the adaptation process of The Shining. The Oxford Journal of Adaptation, 8 (3), 345–60.
- Metz, W. (1997). Toward a post-structural influence in film genre study: Intertextuality and The Shining. Film Criticism (Special Issue on Genre), 22 (1), 38-61.
- Muir, J.K. (2007). Horror films of the 1980s. Jefferson: McFarland & Company Inc.
- Wigley, S. (2015, 1 June). Producing The Shining: Jan Harlan on Kubrick. BFI. Retrieved from: https://www.bfi.org.uk/news/producing-shining-jan-harlan-kubrick
Abstract
Stanley Kubrick’s 1980 film The Shining has been examined and analyzed countless times up until today. Even though 40 years have gone by since its release, the film’s full meaning and the events happening to the Torrance family are still unclear. The film unfolds in a limbo-like state, between dream and reality. While writing the script, Kubrick states that he was inspired by Sigmund Freud’s Das Unheimlich (1919) essay. According to Freud, things or people that arouse feelings of dread and horror belong to the realm of the uncanny. The uncanny is related to what is frightening, but more importantly it entails a duality, an ambiguity because it encompasses the familiar with the unfamiliar. This study aims to locate the uncanny elements in The Shining, while also examining how conflicting desires that have been repressed can come to the surface through the dream-like setting of the Overlook Hotel.
Keywords
References
- Ascher, R. (Director). (2012). Room 237 [Documentary]. United States: Film Sales Corp.
- Bettelheim, B. (1976). The uses of enchantment: The meaning and importance of fairy tales. London: Penguin Books.
- Ciment M. (2001). Kubrick: The definitive edition. (Gilbert Adair, Trans.). New York: Faber & Faber Inc.
- Cook. D. (1984). American horror: The Shining. Literature/Film Quarterly, 12 (1), 2-4.
- Creed, B. (1993). The monstrous feminine: film, feminism and psychoanalysis. London: Routledge.
- ____________. (2005). Phallic panic: Film, horror and the primal uncanny. Victoria: Melbourne University Press.
- Flannigan, M. (Director). (2019). Doctor Sleep [Motion Picture]. United Kingdom, Canada, United States: Warner Bros.
- Freud, S. (2001). The standard edition of the complete psychological works of Sigmund Freud: Volume XVII. London: Vintage Classics.
- Hoile, C. (1984). The uncanny and the fairy tale in Kubrick's "The Shining". Literature/Film Quarterly, 12 (1), 5-12.
- Jentsch, E. (2008) On the psychology of the uncanny. In J. Collins and J. Jervis (Eds.), Uncanny modernity: Cultural theories, modern anxieties (pp. 216–228), New York: Palgrave Macmillan.
- Kagan, N. (2000). Cinema of Stanley Kubrick (3rd ed). New York: The Continuum Publishing Group
- Kubrick, S. (Director). (1980). The Shining [Motion Picture]. United States and United Kingdom: The Producer Circle Organization.
- Luckhurst, R. (2008). The uncanny after Freud: The contemporary trauma subject and the fiction of Stephen King. In Collins, J. and Jervis, J. (Eds.), Uncanny modernity: Cultural theories, modern anxieties (p. 128-145), New York: Palgrave Macmillan.
- McAvoy, C. (2015). The uncanny, the gothic and the loner: Intertextuality in the adaptation process of The Shining. The Oxford Journal of Adaptation, 8 (3), 345–60.
- Metz, W. (1997). Toward a post-structural influence in film genre study: Intertextuality and The Shining. Film Criticism (Special Issue on Genre), 22 (1), 38-61.
- Muir, J.K. (2007). Horror films of the 1980s. Jefferson: McFarland & Company Inc.
- Wigley, S. (2015, 1 June). Producing The Shining: Jan Harlan on Kubrick. BFI. Retrieved from: https://www.bfi.org.uk/news/producing-shining-jan-harlan-kubrick
Details
| Primary Language | English |
|---|---|
| Journal Section | Araştırma Makaleler |
| Authors | |
| Publication Date | July 24, 2020 |
| Submission Date | February 11, 2020 |
| Acceptance Date | May 2, 2020 |
| Published in Issue | Year 2020 Issue: 24 |
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